【演讲】2015演讲大赛季军罗翌睿总决赛视频CUT

2016/03/23 15:21:23
2015“外研社杯”全国英语演讲大赛总决赛赛题
 
 
选手视频
 
 
嘉宾点评
 
周容宇
2011“外研社杯”全国英语演讲大赛一等奖获得者
连续多年任“外研社杯”全国英语演讲大赛决赛主持人
 
      这篇演讲有很多值得注意到的地方。首先从演讲者的态度来看,他是一个非常有激情的演讲者。整个演讲的过程中,语调一直保持着激昂的抑扬顿挫,手势也十分到位。这些都不像出自所谓的训练或者是技巧,而是出自于他对自己的内容的激情,对舞台的热情,和对观众的真诚。演讲的内容上看,演讲者很擅长于从身边的事情切入主题,这是非常讨巧的。一篇好的演讲一定要引起听者的共鸣,而最能引起共鸣的方式便是谈谈大家都会遇到事情。整篇演讲的内容安排有逻辑,分别从“为什么”,“是什么”,和“怎么办”来讨论他的艺术设计工作室。如果在“怎么办”的部分分配更多的比重,演讲效果应该会更佳出色!
 
       附:演讲稿原文(实际演讲可能与讲稿略有出入,仅供交流分享使用)
 
Art Design Promoting Studio
 
      Good morning, ladies and gentlemen.
      I’m an art person, a design person. I have a fierce affection towards art design—my identity was nurtured by it, and my creativity came from it. I understand the importance of art design, so my “Maker Plan” today is to set up an “Art Design Promoting Studio” to encourage people to embrace the beauty of art design.
      First let me tell you why it matters.
      You may often receive birthday cards. You’re not so happy when you receive cards like this —with elements in chaos, bad color combinations, illegible fonts and typography—clearly it’s a bad design. An iconic designer once said this sort of “crude fabrication” makes him “slightly embarrassed to be a human”. Maybe it’s not so serious, but it’s definitely an unintelligible way of articulating sincerity, compared to an exquisitely designed work. Such an artwork conveys not only a sense of beauty, but also deep care for details and the crave for perfection.
      Using a little knowledge in art design—color combination, elegant typography, proper fonts, etc., you can significantly change the way many aspects your life unfold. It’s not just about a birthday card, it’s about everything in your life that relates to art design. In every university, I see people doing PPT presentations in disgusting ways. Their slides look the same way as chaotic birthday cards, and therefore dissimilate information in even lower-efficiency manners. I see people making posters clearly lacking basic design knowledge and instead of drawing attention from potential customers, they repel customers. This has to be changed.
      The Art Design Promoting Studio is precisely designed for changing this status quo. It is based on small communities, e.g. university campuses and caters to the need of small groups of people first. The small scale and flexibility make the plan highly feasible.
      We intend to start out by inspiring people around us—teachers, students and other civilians— to become aware of the significance and power of art design. We use lectures, galleries, lessons, and various activities to help them master basic skills and theoretical knowledge in art design. After that, either through enlarging scale of the studio or secondary influence, we draw more people into this Maker Plan.
      That’s how we facilitate the process of making better art designs for a better world. And that’s why I believe the “The Art Design Promoting Studio” is surely going to make this world a better place.
 
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